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Hokku (発句, lit. "starting verse") is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku (haikai no renga). [1] From the time of Matsuo Bashō (1644–1694), the hokku began to appear as an independent poem, and was also incorporated in haibun (in combination with prose).
Ainthinai Aimpathu contains fifty poems written by the poet Māṟaṉ Poṟaiyaṉār. The poems of, Ainthinai Aimpathu , deal with the agam (internal) subjects. Agam in the Sangam literature denotes the subject matters that deal with the intangibles of life such as human emotions, love, separation, lovers' quarrels, etc.
Sixteen of the 473 poets are responsible for 1,177 of the 2,279 poems for which the name of the author is known. In all, 102 of the poems are anonymous. Notably, the pathirruppathu collection exclusively collects poetry from the Cheral kings (from Kerala), whereas the other collections contain a mix of poetry patronized by diverse Tamil kings.
Man size sculpture of Sri Rama in Srivaikuntanathan Perumal temple located in Tamil Nadu.. The Akananuru (Tamil: அகநானூறு, Akanāṉūṟu, literally "four hundred [poems] in the akam genre"), sometimes called Nedunthokai (lit. "anthology of long poems"), is a classical Tamil poetic work and one of the Eight Anthologies (Ettuthokai) in the Sangam literature. [1]
Iraiyanar Akapporul is concerned with setting out the literary conventions that govern Tamil love poetry of the akam tradition. The conventions, as such, are taken from the poetics of the Sangam period. Thus a poem is a poetical snapshot of one instant in a relationship. This snapshot provides a glimpse into the lives of the couple which is in ...
Eelattu Poothanthevanar was one of the earliest known classical Ceylon (present day Sri Lanka) Tamil poets from the Sangam period.He hailed from the ancient international port of Manthai (Manthottam/ Manthoddam in Tamil, Manthota in derived Sinhalese) in Ceylon, the ruins of which are in present-day Mannar District, Sri Lanka. [1]
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of relationship ...