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Audrey Chu (born April 2, 1999), known by stage name Audrey Nuna, is an American R&B singer and rapper. [1] She is best known for her singles "Damn Right" and "Comic Sans" (featuring Jack Harlow). [2]
Damn Right, I've Got the Blues is the seventh studio album by Blues guitarist Buddy Guy. The album has been described by Allmusic and Rolling Stone as a commercial comeback album for Guy [4] [5] after limited recording for the previous 10 years. In 2005 the album was reissued as Damn Right, I've Got The Blues Expanded Edition, featuring two ...
Jenny Doan is an American quilter, author, and YouTube personality. She rose to prominence as the face of Missouri Star Quilt Company, the largest quilting supply vendor in the United States. Referred to as “The most famous quilter in the world,” her YouTube channel has surpassed over 210 million cumulative views, and she is regarded as a ...
"She's Got It" is a 1956 song by Little Richard, written by John Marascalco and Little Richard. [1] It was originally called "I Got It" (and Richard had also recorded a version with that title), but the lyrics were rewritten for the film The Girl Can't Help It . [ 2 ]
"Maybach" is a song by American rapper 42 Dugg, and the fifth single from his fourth mixtape Free Dem Boyz (2021). It features American rapper Future and was produced by G1, Chosen 1, Yung Dee, DaBoyDame, and G Koop.
"Dammn Baby" is a song recorded by American singer-songwriter Janet Jackson for her eleventh studio album Unbreakable (2015). [1] It was co-written and produced by Jackson and her long-time collaborators Jimmy Jam and Terry Lewis, with additional songwriting and production contributions by Dem Jointz.
"Get It Right" is a "somber" pop ballad performed by Lea Michele. [6] Becky Bain of Idolator said song sounded like it could "actually live" on country airplay. [7] According to the sheet music published at Musicnotes.com by TCF Music Publishing, "Get It Right" is set in common time with a tempo of 84 beats per minute.
On its release, Music Week called "Who's That Girl (She's Got It)" a "lively, bubbling number" and "danceable electronic pop" with "wide enough appeal to chart". [8] Nancy Culp of Record Mirror commented, "To even have the same title as the seminal Eurythmics stunner is sacrilege. To soil its memory with piffle is an even greater crime." [9]