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With a growing interest in music cognition amongst neuroscientists, music-specific disorders are becoming more relevant in research and in understanding music processing in the brain. Several music-specific disorders have been identified, with causes ranging from congenital to acquired (specific lesions in the brain).
MUSIC is a generalization of Pisarenko's method, and it reduces to Pisarenko's method when = +. In Pisarenko's method, only a single eigenvector is used to form the denominator of the frequency estimation function; and the eigenvector is interpreted as a set of autoregressive coefficients, whose zeros can be found analytically or with ...
Amusia is a musical disorder that appears mainly as a defect in processing pitch but also encompasses musical memory and recognition. [1] Two main classifications of amusia exist: acquired amusia, which occurs as a result of brain damage, and congenital amusia, which results from a music-processing anomaly present since birth.
Algorithmic composition is the technique of using algorithms to create music.. Algorithms (or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in Western counterpoint, for example, can often be reduced to algorithmic determinacy.
An example is the phenomenon of tapping to the beat, where the listener anticipates the rhythmic accents in a piece of music. Another example is the effect of music on movement disorders: rhythmic auditory stimuli have been shown to improve walking ability in Parkinson's disease and stroke patients. [41] [42]
Sheet music data refers to the human-readable, graphical representation of music via symbols. Examples of this branch of research would include digitizing scores ranging from 15th Century neumenal notation to contemporary Western music notation. Like sheet music data, symbolic data refers to musical notation in a digital format, but symbolic ...
For example, the linear phase equalizer does not introduce frequency-dependent phase shift. This filter may be implemented digitally using a finite impulse response filter but has no practical implementation using analog components. A practical advantage of digital processing is the more convenient recall of settings.
Real-time Cmix, a MUSIC-N synthesis language somewhat similar to Csound; Cmajor, a high-performance JIT-compiled C-style language for DSP; Common Lisp Music (CLM), a music synthesis and signal processing package in the Music V family; Csound, a MUSIC-N synthesis language released under the LGPL with many available unit generators