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A set of props used in the production of the Saw films, which are notorious for depicting extreme graphic violence. Extreme cinema (or hardcore horror and extreme horror [1] [2]) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture.
Widely considered Bava's most violent film, [2] its emphasis on graphically bloody murder set pieces was hugely influential on the slasher film subgenre that would follow a decade later. [ 3 ] [ 4 ] In 2005, the magazine Total Film named A Bay of Blood one of the 50 greatest horror films of all time.
Pages in category "Films about violence" The following 47 pages are in this category, out of 47 total. ... SPL II: A Time for Consequences; Star Wars (film)
This is a list of lists of horror films. Often there may be considerable overlap particularly between horror and other genres (including action , thriller , and science fiction films ). By decade
The film made the ten-worst list in The Book of Lists, [36] appears in Michael Sauter's The Worst Movies of All Time, [44] and was among those listed in The Fifty Worst Films of All Time. Additionally, the Aldergrove Star described The Conqueror as the worst ever made and Complex listed it as the worst biopic ever made.
Films directed by Steven Spielberg have been the highest-grossing film of the year on five occasions, and on three occasions have been the highest-grossing film of all time. Steven Spielberg (1975, 1981, 1982, 1989 and 1993) and Cecil B. DeMille (1932, 1947, 1949, 1952 and 1956) tie as the most represented directors on the chart with five films ...
Bashu, the Little Stranger (1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine Picture World poll of 150 Iranian critics and professionals. [152] Close-Up (1990) reached the highest position (number 17 in 2022) of Iranian film on the 2022 Sight & Sound poll's lists of greatest films of all time. [1]
Splatter films, according to film critic Michael Arnzen, "self-consciously revel in the special effects of gore as an artform." [5] Where typical horror films deal with such fears as that of the unknown, the supernatural and the dark, the impetus for fear in a splatter film comes from physical destruction of the body and the pain accompanying it.