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Aristophanes (c. 446–388 BC), a leading source for Greek Old Comedy. The Acharnians (425 BC) The Knights (424 BC) The Clouds (423 BC) The Wasps (422 BC) Peace (421 BC) The Birds (414 BC) Lysistrata (411 BC) Thesmophoriazusae (c. 411 BC) The Frogs (405 BC) Assemblywomen (c. 392 BC) Plutus (388 BC) Pherecrates 420 BC; Diocles of Phlius ...
The three best-known playwrights belonging to this genre are Menander, Philemon, and Diphilus. The playwrights of the New Comedy genre built on the legacy from their predecessors, but adapted it to the portrayal of everyday life, rather than of public affairs. [7]
Furthermore, there are six lost plays with extensive surviving fragments, as well as twelve mimes. They range from the 472 BC tragedy The Persians, written by the Greek playwright Aeschylus, to Querolus, an anonymous Roman comedy from late antiquity.
Pages in category "Ancient Greek dramatists and playwrights" The following 103 pages are in this category, out of 103 total. This list may not reflect recent changes .
Old Comedy is the first period of the ancient Greek comedy, according to the canonical division by the Alexandrian grammarians. [1] The most important Old Comic playwright is Aristophanes – whose works, with their daring political commentary and abundance of sexual innuendo, de facto define the genre.
The plays of Aristophanes are the only full-length examples of the genre of Old Comedy to have survived from antiquity. This makes them centrally important to modern understandings of the genre. The themes of Old Comedy included: Inclusive comedy: Old Comedy provided a variety of entertainments for a diverse audience. It accommodated a serious ...
Menander (/ m ə ˈ n æ n d ər /; Ancient Greek: Μένανδρος Menandros; c. 342/41 – c. 290 BC) was a Greek dramatist and the best-known representative of Athenian New Comedy. [1] He wrote 108 comedies [2] and took the prize at the Lenaia festival eight times. [3] His record at the City Dionysia is unknown.
Apparently, the Greek playwrights never used more than three actors based on what is known about Greek theatre. [ 10 ] Tragedy and comedy were viewed as completely separate genres, and no plays ever merged aspects of the two.