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Move punctuation character to the end of the previous line. Oidashi (Wrap to next) Send characters not permitted at the end of a line to the next line, increase tracking to pad out first line. Another use is to wrap a character from the first line with the goal of preventing a character that shouldn't start a line from coming first on the next ...
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
The hiragana character き, like さ, is drawn with the lower line either connected or disconnected. A dakuten may be added to the character; this transforms it into ぎ in hiragana, ギ in katakana, and gi in Hepburn romanization. The phonetic value also changes, to [ɡi] in initial, and varying between [ŋi] and [ɣi] in the middle of words.
The dakuten (Japanese: 濁点, Japanese pronunciation: [dakɯ̥teꜜɴ] or [dakɯ̥teɴ], lit. "voicing mark"), colloquially ten-ten (点々, "dots"), is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a mora should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing).
The character originated as a cursive form of ト, the top component of 占 (as in 占める shimeru), and was then applied to other kanji of the same pronunciation. See ryakuji for similar abbreviations. This character is also commonly used in regards to sushi. In this context, it refers that the sushi is pickled, and it is still pronounced shime.
In earlier stages of Japanese, different realizations of the moraic nasal were actually indicated in writing. For example, during the Heian period (Early Middle Japanese), the "lingual nasal" was spelt differently when followed by a lingual consonant (/n, s/) compared to the "labial nasal" when followed by a labial consonant (/p, b, m/).
Wāpuro-style romanizations are also frequently used by native speakers of Japanese in informal contexts, as well as by many fans of anime and other aspects of Japanese culture [citation needed]. A common characteristic of these (often online) cases is the avoidance of hard-to-type circumflexes or macrons. Also, some ambiguities in spelling may ...
Tsu (hiragana: つ, katakana: ツ) is one of the Japanese kana, each of which represents one mora. Both are phonemically /tɯ/ , reflected in the Nihon-shiki and Kunrei-shiki Romanization tu , although for phonological reasons , the actual pronunciation is [t͡sɯᵝ] ⓘ , reflected in the Hepburn romanization tsu .