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As part of women's role in music education, women wrote hymns and children's music. Only around 70 works by women can be found in all American secular music in print before 1825. [7] In the mid-19th century, female songwriters emerged, including Faustina Hasse Hodges, Susan McFarland Parkhurst, Augusta Browne and Marion Dix Sullivan. By 1900 ...
A newly emerging style, which had its roots in the 1950s but exploded in the mainstream during the 1960s, was the "Bakersfield sound." Instead of creating a sound similar to mainstream pop music, the Bakersfield sound used honky tonk as its base and added electric instruments and a backbeat, plus stylistic elements borrowed from rock and roll.
Cris Williamson, whose 1975 album The Changer and The Changed was the best-selling women's music album and one of the best-selling albums by an independent label during the 1970s, in concert in 2013. Olivia Records, the first women's music record label, was created in 1973 by a collective including artist Meg Christian.
According to Christgau, the decade also saw greater fragmentation along stylistic lines because of the rise of semipopular music: "It goes back to whenever arty types began to find 'the best' rock worthy of attention in the '60s, but in the '60s tolerance was the rule; it was easier to name rough substyles—say British invasion, folk-rock ...
All Music Guide to the Blues: The Definitive Guide to the Blues. San Francisco, California: Backbeat Books. ISBN 0-87930-736-6. Harrison, Daphne Duval (1990). Black Pearls: Blues Queens of the 1920s. New Brunswick and London: Rutgers. ISBN 0-8135-1280-8. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray.
Among the most iconic women's hairstyle of the 1970s is the Farrah Fawcett hairstyle. Popularized in 1976, the hairstyle was heavily imitated by many American women and girls. It incorporated waves, curls, and layers. The style mostly worn with bangs, but could also be worn with a side part.
[5] [6] Music historian Caroline Coon contends that before punk, women in rock music were virtually invisible; in contrast, in punk, she argues, "It would be possible to write the whole history of punk music without mentioning any male bands at all – and I think a lot of [people] would find that very surprising." [7] [8]
False eyelashes were worn by women throughout the 1960s. Hairstyles were a variety of lengths and styles. [2] Psychedelic prints, neon colors, and mismatched patterns were in style. [3] US First Lady Jacqueline Kennedy arrives in Venezuela, 1961. In the early-to-mid 1960s, London "Modernists" known as Mods influenced male fashion in Britain. [4]