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Pasolini continues with his work, missing many interviews with journalists. He begins a relationship with a boy from the suburbs of Rome, Pino Pelosi, and takes him to a restaurant in the seaside village of Ostia. Pasolini wants to be with him in a loving relationship, but the boy becomes angry with him, attacking him and some other companions.
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Pier Paolo Pasolini (Italian: [ˈpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, film director, writer, actor and playwright.He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.
Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), billed on-screen as Pasolini's 120 Days of Sodom on English-language prints [3] and commonly referred to as simply Salò (Italian:), is a 1975 political art horror film directed and co-written by Pier Paolo Pasolini.
The film came after a string of movies of the late 1960s in which Pasolini had a major ideological bent. Though this film is much more light-hearted in nature Pasolini nonetheless considered it among his most "ideological". [2] The film can be seen as an attack on the stiff sexual mores of both Chaucer and Pasolini's times. [citation needed]
Teorema, known as Theorem in the United Kingdom, is a 1968 Italian surrealist [2] psychological drama film written and directed by Pier Paolo Pasolini and starring Silvana Mangano, Terence Stamp and Massimo Girotti, with Anne Wiazemsky, Laura Betti, Andrés José Cruz Soublette, Alfonso Gatto and Carlo De Mejo.