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Poupée de porcelaine (1978) Le Pont de bois (1979) La Vallée des coquelicots (1982) Uña Ramos y sus amigos: Canciones y danzas de música Argentina (1985) La Princesse de la mer (1986) Una flauta en la noche Vol. 1 (1994) (Arton records) Una flauta en la noche Vol. 2 (1995) (Arton records) Le Souffle du roseau (1996) Live in France 2004 (2004)
"Canciones que México canta" ("Songs that Mexico sings"), which listed the Top 10 most popular Spanish-language songs in Mexico, and " Éxitos internacionales en México " ("International Hits in Mexico"), which listed the most popular songs in Mexico that were in languages other than Spanish.
Héctor Angulo began to compose during the mid-forties decade of the 20th Century, and his first pieces were premiered during the fifties decade. [3] Upon his return to Cuba after studying in the United States, Angulo became immersed in the activity of the musical avant-garde of the sixties, and his Works "Trío" for flute, violin and piano from 1965, and his "Sonata for eleven instruments ...
He studied at the University of Barcelona and the Conservatori Superior de Música del Liceu. At the Liceu he was mentored by Aita Donostia with whom he studied music theory, music composition, and orchestration. He became a successful composer writing symphonic works, chamber music, choral music, operas, art songs, and songs for solo piano.
Flores Chaviano has conducted an important work as musical director and founder of different instrumental groups such as the Ensemble de Segovia, the group Sonido Trece, the Cuarteto Fin de Siglo, the Agrupación Trova Lírica Cubana de Madrid and the Capilla Musical Esteban Salas, based in Madrid and constituted by singers and a small ...
"Canciones que México canta" ("Songs that Mexico sings"), which listed the Top 10 most popular Spanish-language songs in Mexico, and "Hit Parade", which was a Top 10 of the most popular songs in Mexico that were in languages other than Spanish. For reasons unknown, the magazine stopped publishing the "Hit Parade" chart in 1988 and wouldn't ...
Allegro de concierto (1903–1904) Cuatro piezas españolas, Pièces espagnoles ("Four Spanish Pieces") – for piano, dedicated to Isaac Albéniz (c. 1906–1909) Fantasía Bética – for piano, dedicated to Arthur Rubinstein (1919) Canto de los remeros del Volga (del cancionero musical ruso) ("Song of the Volga boatmen") (1922)
Clásicos de la Provincia is the sixth album by Colombian singer-songwriter Carlos Vives. Released in Colombia in late 1993, and internationally on February 22, 1994, the album is a collection of Colombian vallenato classics. The album made Vives a superstar in Colombia and was his breakthrough in the vallenato genre.