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The typical Zen garan, of which Kenchō-ji's is a good example, begins with a gate followed by another, larger one , the main hall (the butsuden), the lecture hall (hattō), and the chief abbot's residence (hōjō) all aligned more or less on a north to south axis, with the bath house (yokushitsu) and the sūtra repository to its east, and the ...
13 Modern and Post-modern. 14 See also. 15 References. ... This list of house styles lists styles of vernacular architecture – i.e., outside any academic tradition ...
Contemporary architecture is the architecture of the 21st century. No single style is dominant. [1] Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture [2] [3] to highly conceptual forms and designs, resembling sculpture on an enormous scale.
This relationship was explored further with the House with an Earthen floor (1963) where a tamped-down earthen floor was included in the kitchen area. His use of a roof to anchor his design for the House in White (1966) has been compared with Frank Lloyd Wright's Prairie Houses. Shinohara explored these abstractions as "Three Styles", which ...
In 1923 he published "Toward an Architecture", with his famous slogan, "a house is a machine for living in." [26] He tirelessly promoted his ideas through slogans, articles, books, conferences, and participation in Expositions. To illustrate his ideas, in the 1920s he built a series of houses and villas in and around Paris.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
The invention of the Zen garden was closely connected with developments in Japanese ink landscape paintings. Japanese painters such as Sesshū Tōyō (1420–1506) and Soami (died 1525) greatly simplified their views of nature, showing only the most essential aspects of nature, leaving great areas of white around the black and gray drawings ...
Shoji are valued for not setting a sharp barrier between the interior and the exterior; outside influences such as the swaying silhouettes of trees, or the chorus of frogs, can be appreciated from inside the house. [9] As exterior walls, shoji diffuse sunlight into the house; as interior partitions between rooms, they allow natural light deep ...