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Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Roller-printed cotton cushion cover panel, 1904, Silver Studio V&A Museum no. CIRC.675–1966 Indigo Blue & White printed cloth, American Printing Company, about 1910. Roller printing, also called cylinder printing or machine printing, on fabrics is a textile printing process patented by Thomas Bell of Scotland in 1783 in an attempt to reduce the cost of the earlier copperplate printing.
[1] In printing, wooden blocks, stencils, engraved plates, rollers, or silkscreens can be used to place colours on the fabric. Colourants used in printing contain dyes thickened to prevent the colour from spreading by capillary attraction beyond the limits of a pattern or design.
Pictures do not peel off fabric, unlike typical screen printing. Dye does not mount on fabric. The intensity of colour is often unmatched due to the direct permeation of dye. No need to half-print screens or cut fabric. The continuous nature of the print allows all of the medium to be a canvas. Disadvantages: Speed is reduced due to continuous ...
Flocking in fabrics is a method of creating another surface, imitating a piled one. In flocking, fibers or a layer are deposited over a base layer with the help of adhesive. Flocking in fabrics is possible all over the surface or in a localized area as well.
Digital textile printing is described as any ink jet based method of printing colorants onto fabric. Most notably, digital textile printing is referred to when identifying either printing smaller designs onto garments (T-shirts, dresses, promotional wear; abbreviated as DTG, which stands for Direct to garment printing) and printing larger designs onto large format rolls of textile.
Even the fancy fabrics vary with a certain fashion. The fabrics are limited to amount and design and are sometimes exclusively sold in own shops. At first the fancy prints were made with engraved metal rollers but more recently they are produced using rotary screen-printing process. [15] The production of these imitation wax-print fabrics ...
Print. Speelberg, Femke. "Fashion & Virtue: Textile Patterns and the Print Revolution, 1520–1620". Metropolitan Museum of Art Bulletin. New York: Metropolitan Museum of Art, 2015. Print. Perivoliotis, Margaret C. "The Role of Textile History in Design Innovation: A Case Study Using Hellenic Textile History". Textile history 36.1 (2005): 1 ...