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The origin of the word "Parthenon" comes from the Greek word parthénos (παρθένος), meaning "maiden, girl" as well as "virgin, unmarried woman". The Liddell–Scott–Jones Greek–English Lexicon states that it may have referred to the "unmarried women's apartments" in a house, but that in the Parthenon it seems to have been used for a ...
The Greek on the left on the western metope IV would have grabbed the Amazon by the hair before giving her the fatal blow, in a gesture reminiscent of that of Harmodios in the group of the Tyrannicides. Only the right leg of the Greek remains, while the other leg and his left arm can be guessed at on the bottom of the metope.
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
The Elgin Marbles (/ ˈ ɛ l ɡ ɪ n / ELG-in) [1] [2] are a collection of Ancient Greek sculptures from the Parthenon and other structures from the Acropolis of Athens, removed from Ottoman Greece and shipped to Britain by agents of Thomas Bruce, 7th Earl of Elgin, and now held in the British Museum in London.
Katharévousa (Καθαρεύουσα) is a form of the Greek Language midway between modern and ancient forms set in train during the early nineteenth century by Greek intellectual and revolutionary leader Adamantios Korais, intended to return the Greek language closer to its ancient form. Its influence, in recent years, evolved toward a more ...
A temenos (Greek: τέμενος; plural: τεμένη, temenē) [1] is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, such as a sanctuary, holy grove, or holy precinct. [2] [3] A temenos enclosed a sacred space called a hieron ...
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as Polias and Poliouchos (both derived from polis, meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along ...