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If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. [1] He wrote it especially for vocalist Sarah Vaughan , [ 2 ] a frequent collaborator. Lyrics were written by Carl Sigman and it became one of Vaughan's signature songs, inducted into the Grammy Hall of Fame in 1998. [ 3 ]
If You Could See Me Now may refer to: "If You Could See Me Now" (1946 song), a 1946 jazz standard, composed by Tadd Dameron "If You Could See Me Now", a 1992 song by Celine Dion from Celine Dion "If You Could See Me Now" (The Script song), 2013; If You Could See Me Now (Etta Jones album), 1979; If You Could See Me Now (Kenny Drew album), 1974
The second LDS hymnbook with music was John Tullidge's Latter Day Saints' Psalmody, published in 1857. This collection included music for LDS hymns such as "O My Father", "Praise to the Man" and "An Angel from on High", complete with piano accompaniment. Tullidge felt that many of the pairings of tune with hymns used in LDS meetings were poorly ...
"If You Could See Me Now" is a song by Irish pop rock band The Script, taken from their third studio album, #3 (2012). The song video was released as the album's third single on 18 February 2013. The song was released on 4 March 2013. The track was written by Danny O'Donoghue, Mark Sheehan, Steve Kipner and Andrew Frampton.
The Penguin Guide to Jazz described the album as "a thin set altogether". [1] A reviewer for The Washington Post highlighted "Limehouse Blues", describing it as "fueled by some of the most dynamic and daring excursions this quartet has ever put on record."
If My Friends Could See Me Now", with music by Cy Coleman and lyrics by Dorothy Fields, is a song from the 1966 Broadway musical Sweet Charity. In the musical the character of Charity, played in the original New York cast by Gwen Verdon , reflects on her marvellous luck as she spends time with Vittorio.
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs, [1] or earlier. It has become a standard in many Protestant hymnals , though it says nothing about Jesus or the gospel, and covered by many artists.
For his 1982 follow-up album (which became Now You See Me, Now You Don't), Richard planned a fully-fledged gospel album. He chose to produce it together with Craig Pruess. A quote from Pruess identifies two particular goals Richard had in mind for the album: "He wanted this album to be more heavyweight and wanted to break away from the pop sound.