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Coppola caps. The coppola (Italian pronunciation:) is a traditional kind of flat cap typically worn in Sicily, Campania and Calabria, where is it known as còppula or birritta, and also seen in Malta, Greece (where it is known as tragiáska, Greek: τραγιάσκα), some territories in Turkey, Corsica, and Sardinia (where it came to be known, in the local language, as berritta, cicía, and ...
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
This category describes traditional and historic Italian clothing. Modern Italian clothing should be categorised under Italian fashion or Clothing companies of Italy.
Folk costume, traditional dress, traditional attire or folk attire, is clothing associated with a particular ethnic group, nation or region, and is an expression of cultural, religious or national identity. If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress.
The Tyrolean hat (German: Tirolerhut, Italian: cappello alpino), also Tyrolese hat, Bavarian hat or Alpine hat, is a type of headwear that originally came from the Tyrol in the Alps, in what is now part of Austria, Germany, Italy and Switzerland. It is an essential and distinctive element of the local folk costume, or tracht.
Until the 1970s, Italian fashion primarily served the wealthy, similar to haute couture in France. In the 1970s and 1980s, Italian fashion started to concentrate on ready-to-wear clothes, such as jeans, sweaters, and miniskirts. Milan had more affordable styles for shoppers, and Florence was no longer considered the fashion capital of Italy.
In the 1980s, there was a further revival of interest in the dirndl, as traditional clothing was adopted by the environmental and anti-nuclear movements. [45] The rural connotations of the clothing and the fact that it is produced from natural, rather than synthetic materials, go well with a desire to return to a "world that is intact". [34 ...
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.