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During the Middle Ages and Renaissance, Italian fashion for both men and women was extravagant and expensive, but the fashion industry declined during the industrialization of Italy. Many modern Italian fashion brands were founded in the late 19th and early 20th centuries, and in the 1950s and 1960s, Italian fashion regained popularity worldwide.
Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
Uncovered hair was acceptable for women in the Italian states. Many women twisted their long hair with cords or ribbons and wrapped the twists around their heads, often without any cap or veil. Hair was also worn braided. Older women and widows wore a veil and wimple, and a simple knotted kerchief was worn while working.
The Italian Catherine de' Medici, as Queen of France. Her fashions were the main trendsetters of courts at the time. Fashion in Italy started to become the most fashionable in Europe since the 11th century, and powerful cities of the time, such as Venice, Milan, Florence, Naples, Vicenza and Rome began to produce robes, jewelry, textiles, shoes, fabrics, ornaments and elaborate dresses. [8]
Between 1950s and 1960s, Marucelli established herself as one of the most important Italian fashion designers, with a style often inspired by classical and avant-garde figurative arts, such as the 1954 collection "fraticello" (i.e. "little friar"), inspired by the fifteenth century Tuscan painters, or the 1960 line "vescovi" (i.e. "bishops ...
The bodices of French, Spanish, and English styles were stiffened into a cone or flattened, triangular shape ending in a V at the front of the woman's waist. Italian fashion uniquely featured a broad U-shape rather than a V. [14] Spanish women also wore boned, heavy corsets known as "Spanish bodies" that compressed the torso into a smaller but ...
Maria Monaci Gallenga (1880–1944) was an Italian textile designer and fashion designer. [1] Along with her husband, Gallenga invented a unique metallic, block printing technique for fabrics that gave her textiles a distinct hue.
In 1953, she and Ottavio started a small knitwear store in Gallarate. The business would become the fashion house Missoni. They later moved to Sumirago where they built a factory. They were part of a group of Italian designers whose ready-to-wear clothing became popular globally in the 1950s and 1960s. [5]