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The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
Phrygian: gypsy — Lydian augmented scale: Lydian augmented scale on C. Play ...
Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
Gypsy minor scale: Oriental mode: Ionian ♯2 ♯5 scale: Locrian 3 7 scale Dorian harmonic (♯4) scale Ukrainian Dorian scale, Romanian minor scale, altered Dorian scale, Dorian harmonic (♯4) scale: Phrygian dominant scale, altered Phrygian scale, dominant ♭2 ♭6 scale (in jazz), Freygish scale, Phrygian harmonic (♮3) scale: Lydian ...
Other scales with a minor third and a perfect fifth (i.e. containing a minor triad) are also commonly referred to as minor scales. Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition.
The use of the Phrygian mode and the minor Gypsy scale [12] in this tune is also present in other "Spanish" works from those dates, like Davis's Sketches of Spain. Davis never recorded "Nardis", and Adderley only did once. George Russell recorded it on his album Ezz-Thetics (1961).
Flamenco mode Play ⓘ.. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.