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The painting is composed of symmetrical rectangular blocks of magenta, black and green colors on orange background. [1] No.3/No.13 (Magenta, Black, Green on Orange) was also influenced by the loss of Rothko's mother, who died in October 1948. [1] It is held at the Museum of Modern Art, in New York.
The Art of Richard Diebenkorn, with essays by John Elderfield, Ruth E. Fine, and Jane Livingston. The Whitney Museum of American Art, 1997, ISBN 0-520-21257-6; De Antonio, Emile and Tuchman, Mitchell. Painters Painting A Candid History of The Modern Art Scene, 1940–1970, Abbeville Press 1984, ISBN 0-89659-418-1
File talk: 'Magenta, Black, Green on Orange', oil on canvas painting by Mark Rothko, 1947, Museum of Modern Art.jpg Add languages Page contents not supported in other languages.
Pointillism is analogous to the four-color CMYK printing process used by some color printers and large presses that place dots of cyan, magenta, yellow, and key (black). Televisions and computer monitors use a similar technique to represent image colors using red, green and blue (RGB) colors. [9]
The Ben Day process is a printing and photoengraving technique for producing areas of gray or (with four-color printing) various colors by using fine patterns of ink on the paper. It was developed in 1879 [ 1 ] by illustrator and printer Benjamin Henry Day Jr. (son of 19th-century publisher Benjamin Henry Day ). [ 2 ]
Gravitation (also known as Gravity) is a mixed media work by the Dutch artist M. C. Escher completed in June 1952. It was first printed as a black-and-white lithograph and then coloured by hand in watercolour.
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Cyan can be thought of as minus-red, magenta as minus-green and yellow as minus-blue. These inks are semi-transparent (translucent). Where two inks overlap on the paper due to sequential printing impressions, a primary color is perceived. For example, yellow (minus-blue) overprinted by magenta (minus green) yields red.