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In filmmaking, a pitch is a concise verbal (and sometimes visual) presentation of an idea for a film or TV series generally made by a screenwriter or film director to a film producer or studio executive in the hope of attracting development finance to pay for the writing of a screenplay. [1] The expression is borrowed from "sales pitch". [2]
Spec writing is also unique in that the writer must pitch the idea to producers. In order to sell the script, it must have an excellent title, good writing, and a great logline, laying out what the movie is about. A well-written logline will convey the tone of the film, introduce the main character, and touch on the primary conflict.
Bibles are updated with information on the characters after the information has been established on screen, scripts, or writer's notes. [2] For example, the Frasier show bible was "scrupulously maintained", and anything established on air — "the name of Frasier's mother, Niles' favorite professor, Martin's favorite bar...even a list of Maris' [dozens of] food allergies" — was reflected in ...
EXCLUSIVE: Netflix has acquired rights to a pitch from Ben Queen that is loosely based on the novel A Note of Explanation, to be adapted by Queen into a feature film. A Note of Explanation, a ...
After the ashtrays are emptied and the ice cubes melted, AMC's "Mad Men" leaves some unforgettable lines of dialogue that will satisfy streaming fans and inspire GIFs for years to come. The ...
It’s the true story of an aspiring actress named Cheryl Bradshaw (played by Kendrick) who goes on the cheeseball dating game show in 1978 to choose a match from three mystery bachelors.
In the series, George plays both a screenwriter and a film producer in a pitch for a film or television series, describing its plot in a way that highlights various inconsistencies. [12] In 2024, Ben Kendrick, former publisher of Screen Rant , was hired to run ComicBook.com .
The writing of this episode took over ten months, from the initial pitch by Harlan Ellison to the final re-write by Gene Roddenberry. Steven W. Carabatsos and D. C. Fontana, both story editors on the show, undertook re-writes of the teleplay, and changes have also been attributed to producer Gene L. Coon.