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The album's title is the literal Spanish translation of the song's title. Recording sessions for the eight new Spanish tracks took place in January 1980 at Stockholm's Polar Music studios. Swedish/Spanish journalist Ana Martinez del Valle assisted lead vocalists Agnetha Fältskog and Anni-Frid Lyngstad with pronunciation. [3]
"Las Mañanitas" Spanish pronunciation: [las maɲaˈnitas] is a traditional Mexican [1] birthday song written by Mexican composer Alfonso Esparza Oteo.It is popular in Mexico, usually sung early in the morning to awaken the birthday person, and especially as part of the custom of serenading women.
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
De colores" ([Made] of Colors) is a traditional Spanish language folk song that is well known throughout the Spanish-speaking world. [1] It is widely used in the Catholic Cursillo movement and related communities such as the Great Banquet, Chrysalis Flight, Tres Días, Walk to Emmaus, and Kairos Prison Ministry.
"Eres tú" (Spanish pronunciation: [ˈeɾes ˈtu]; "It's You") is a song recorded by Spanish band Mocedades, written by Juan Carlos Calderón. It represented Spain in the Eurovision Song Contest 1973 held in Luxembourg placing second which was followed by a global success.
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
The lyrics are in Spanish, but an English-language version of the song, titled "Two Oruguitas", plays over the end credits. Music critics praised the song for its sentiment, production, lyrics, and Yatra's vocal performance, and often named it as the best song from Encanto .
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.