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Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as ...
a song form which started as a street snail-vendor's song in Zarzuela (a popular Spanish form of operetta) cartageneras song form derived from the taranta, with a florid vocal line, more "artistic" and decorative than forceful and rough castañuelas castanets cejilla capotasto or capo, used by guitarists to raise tone of all strings; a ...
In addition, the system includes explanations for the right and left feet. The rhythm is indicated by means of traditional Western musical notation. [2] Pablo and Navarro’s notation proposes 5 basic symbols somewhat similar to the ones used by Martínez de la Peña, although they add the word "stomp" to the names.
The Spanish form of fandango is given by Dohrn in the Neue Zeitschrift für Musik. [7] ... The dance is usually performed by two Campinos. Figurative meaning
Seguidilla dancing, 18th century. The seguidilla (/ ˌ s ɛ ɡ ə ˈ d iː (l) j ə,-ɡ ɪ-, ˌ s eɪ-/; Spanish: [seɣiˈðiʎa]; plural in both English and Spanish seguidillas; diminutive of seguida, which means "sequence" and is the name of a dance) [1] [2] [3] is an old Castilian folksong and dance form in quick triple time for two people with many regional variations.
Styles of cha-cha-cha dance may differ in the place of the chasse in the rhythmical structure. [10] The original Cuban and the ballroom cha-cha-cha count is "two, three, chachacha" or "four-and-one, two, three". The dance does not start on the first beat of a bar, though it can start with a transfer of weight to the lead's right. [11]
"Perreo," the name of the dance performed to the rhythm of the widely popular Latin urban genre reggaeton, which has deep roots in Puerto Rico, is officially a Spanish word.
El Olé, the Spanish national dance," with image of Pepita de Oliva. Sheet music, 1850s. In flamenco music and dance, shouts of "olé" often accompany the dancer during the performance as encouragement or praise, and at the end of the performance. A singer in cante jondo may also emphasize the word "olé" with melismatic turns. [2] [12]