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Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
[1] [8] The Stylistics recorded "Disco Baby", "Love is the Answer" and "16 Bars" also. They are one of the few U.S. acts to have two chart-topping greatest hits albums in the U.K. [ 8 ] The Stylistics switched record labels during this period as Avco Records transitioned into H&L Records in 1976. [ 1 ]
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1]
In scuba diving, bar is also the most widely used unit to express pressure, e.g. 200 bar being a full standard scuba tank, and depth increments of 10 metre of seawater being equivalent to 1 bar of pressure. Many engineers worldwide use the bar as a unit of pressure because, in much of their work, using pascals would involve using very large ...
The song is a 16-bar form. Each four bars incorporates the same tonal centers of "Tune Up", which are D major, C major, and B♭ major. Each tonal center begins with the ii chord but then cycles through two different keys before arr
The Great Ray Charles is the second studio album by the American musician Ray Charles, released in 1957 by Atlantic Records.An instrumental jazz album, [1] it features cover art designed by Marvin Israel.
At 16 – Minors are allowed to consume and possess undistilled (fermented) alcoholic beverages, such as beer and wine in public places, bars or restaurants without their parents or a Custodian. (§ 9 JuSchG (1) 2) .
The form is unusual in that the verses are the now-familiar standard twelve-bar blues in common time with three lines of lyrics, the first two lines repeated, but it also has a 16-bar bridge written in the habanera rhythm, which Jelly Roll Morton called the "Spanish tinge" and characterized by Handy as tango.