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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Credulity is a person's willingness or ability to believe that a statement is true, especially on minimal or uncertain evidence. [1] [2] Credulity is not necessarily a belief in something that may be false: the subject of the belief may even be correct, but a credulous person will believe it without good evidence.
The Banjaranama (بنجارانامہ, बंजारानामा, Chronicle of the Nomad) is a satirical Urdu poem, written by the eighteenth-century Indian poet Nazeer Akbarabadi. [1] The poem's essential message is that pride in worldly success is foolish, because human circumstances can change in a flash, material wealth and splendor is ...
Fasana-e-Azad (Urdu: فسانۂ آزاد; transl. The Adventures of Azad, also romanized as Fasana-i-Azad) is an Urdu novel by Ratan Nath Dhar Sarshar.It was serialized in Avadh Akhbar between 1878 and 1883 before it was published in four large volumes by the Nawal Kishore Press.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Urdu-language non-fiction literature (2 C, 5 P) Novels by Shaukat Siddiqui (2 P) P. Urdu-language poetry (4 C, 35 P) R. Recipients of the Sahitya Akademi Award in ...
Pakistani literature (Urdu: ادبیاتِ پاکستان) is a distinct literature that gradually came to be defined after Pakistan gained nationhood status in 1947, emerging out of literary traditions of the South Asia. [1] The shared tradition of Urdu literature and English literature of British India was inherited by
While ghazal originated in Arabia evolving from qasida, some of the common features of contemporary ghazal, such as including the takhallus in the maqta ', the concept of matla', etc., did not exist in Arabic ghazal.