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The figure-ground theory of urban design and urban morphology is based upon the use of figure ground studies. It relates the amount of "figure" to the amount of "ground" in a figure-ground diagram, and approaches urban design as a manipulation of that relationship, as well as being a manipulation of the geometric shapes within the diagram.
Figure and ground (media), a concept developed by media theorist Marshall McLuhan; Figure–ground (perception), referring to humans' ability to separate foreground from background in visual images. Figure-ground perception is one of the main issues in gestalt psychology. Figure-ground in map design, the ability to easily discriminate the main ...
The fourth chapter examines three approaches to urban design theory: figure-ground theory, linkage theory and place theory. [3] [6] The fifth chapter studies four urban case studies to show the application of urban design theories at various scales.
The Rubin vase illusion, where it is ambiguous which part is the figure and which the ground Shapes which can be read as a word once the viewer recognises them as being the isolated negative spaces of a word. Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision.
Figure-ground contrast, in the context of map design, is a property of a map in which the map image can be partitioned into a single feature or type of feature that is considered as an object of attention (the figure), with the remainder of the map being relegated to the background, outside the current focus of attention. [1]
Alternately, the idea of "figure" can also refer to content of a particular medium, while "ground" refers to the medium itself. McLuhan's aphorism "The medium is the message" can thus be read as an attempt to draw attention away from a preoccupation with the figure/message to a consideration of the importance of the ground/medium.
Figure-ground (cartography) This page is a redirect. The following categories are used to track and monitor this redirect: From a page move: This is a redirect from a ...
The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.