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A history of costume. Translated by Alexander K. Dallas. New York: Dover Publications. ISBN 978-0-486-21030-8. Koslin, Désirée (2009). "Value-Added Stuffs and Shifts in Meaning: An Overview and Case-Study of Medieval Textile Paradigms". In Désirée G. Koslin; Janet E. Snyder (eds.). Encountering medieval textiles and dress: Objects, texts ...
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
Netherton, Robin, and Gale R. Owen-Crocker, editors, Medieval Clothing and Textiles, Volume 1, Woodbridge, Suffolk, UK, and Rochester, NY, the Boydell Press, 2005, ISBN 1-84383-123-6; Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
While most items of clothing, especially outside the wealthier classes, remained by comparison little changed from three or four centuries earlier, [2]: 39 the more tightly shaped cuts that had been introduced in the preceding century continued to evolve in commoners' fashion [3] too, with the imitation of nobles' clothing beginning among the ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).