Search results
Results From The WOW.Com Content Network
Culture in music cognition refers to the impact that a person's culture has on their music cognition, including their preferences, emotion recognition, and musical memory. Musical preferences are biased toward culturally familiar musical traditions beginning in infancy, and adults' classification of the emotion of a musical piece depends on ...
Afghanistan; Albania; Algeria; Andorra; Angola; Antigua and Barbuda; Argentina; Armenia; Australia; Austria; Azerbaijan; Bahamas; Bahrain; Bangladesh; Barbados ...
Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games. Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy.
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal.The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language.
Free music (2 C, 8 P) H. Music halls of fame (3 C, 71 P) ... Pages in category "Musical culture" The following 20 pages are in this category, out of 20 total.
At least 6th century AD (as Indian classical music), split from Carnatic music in the 16th and 17th centuries. [2] [4] Klasik: At least 6th century AD (as Indian and Hindustani classical music), split from Hindustani classical music c. 1860. [4] [5] The classical tradition of Afghanistan, ultimately a descendant of Hindustani classical music. [5]
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
It is agreed upon that ethnomusicologists look at music from beyond a purely theoretical, sonic, or historical perspective. Instead, these scholars look at music within culture, music as culture, and music as a reflection of culture. [7] [8] In other words, ethnomusicology was developed as the study of all music as a human social and cultural ...