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"Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals on their album Animal Tracks, which was a blues rock version; and in 1977 by the disco group Santa Esmeralda on their album Don't Let Me Be Misunderstood, which was a four-on-the-floor rearrangement.
Essentially unaffiliated with the original producers and musicians aside from Gómez, the new releases feature a much more synthesized sound than previous recordings. The group re-entered the popular consciousness in 2003 when "Don't Let Me Be Misunderstood" appeared on the soundtrack to the first volume of Quentin Tarantino's Kill Bill: Volume 1.
The classic E Street Band sound is immediately present on "Badlands", as a brief drum intro kicks in to a powerful piano-and-electric guitar riff. The song is taken fast, with Max Weinberg's dynamic drumming; indeed it contains his most well-known beat, a one-two-three-four-five-six-(double time) one-two-three pattern underneath the verses.
It was the first time I felt I heard something come across the radio that mirrored my home life, my childhood." Saying that his album Darkness on the Edge of Town was "filled with Animals", Springsteen played the opening riffs to "Don't Let Me Be Misunderstood" and his own "Badlands" back to back, then said, "Listen up, youngsters! This is how ...
The song "Don't Let Me Be Misunderstood" was sampled by Devo Springsteen on "Misunderstood" from Common's 2007 album Finding Forever, and by little-known producers Rodnae and Mousa for the song "Don't Get It" on Lil Wayne's 2008 album Tha Carter III. "See-Line Woman" was sampled by Kanye West for "Bad News" on his album 808s & Heartbreak.
In 2002, a single, "Don't Let Me Be Misunderstood" featuring guitarist Al Di Meola, was released to gauge support for No Mercy's third album. The record producer decided instead to rework the songs for solo artist Daniel Lopes' debut album, Shine On, in 2003. The band would guest feature in that album, on the track "Summer Angel".
The videos begin with both people saying, “We listen and we don’t judge” in unison. Many creators, however, seem to struggle with the not judging part, responding with shocked faces and open ...
In 2001, his second critically acclaimed memoir, Don't Let Me Be Misunderstood, written with author and filmmaker J. Marshall Craig, was released in the US, followed by editions in Greece, Germany and Australia; it covers the British Invasion, moving to Los Angeles and Palm Springs, and various anecdotes about Rock and Roll stardom. [36]