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Because of the small gauge of the film, owners of home-made films often find that their film can become shrunken and brittle to the point where the film is unwatchable in the space of a few years. In general, decaying acetate film breaks down into acetic acid , and similar to celluloid decomposition, leads to an auto-catylictic breakdown of the ...
Color negative film, similar to NC500 with slightly less grain and cooler tones [178] Germany: 135-36 Wolfen: NC500: 2022-T: 400: C-41: Print: Color negative film based on the Agfa XT320 cinefilm stock emulsion without remjet for still photography. Low colour saturation/de-saturated shadows with emphasis to green and enhanced grain. E.I. ca ...
Film look (also known as filmizing or film-look) is a process in which video is altered in overall appearance to appear to have been shot on film stock. [1] The process is usually electronic , although filmizing can sometimes occur as an unintentional by-product of some optical techniques, such as telerecording .
Different kinds of effects can be achieved by removing the anti-halation backing. [3] Halation is one of the properties unique to analog film stock [4] and isn't found in digital footage unless modified in post-production. Despite anti-halation backing, most film stock still renders a slight red halo around the brightest elements in a picture ...
Similar to 116 film but on a thinner spool 620: roll film 1932 1995 Similar to 120 film but on a thinner spool 828: roll film 1935 1985 28 × 40 mm 8 35 mm, one perforation per frame Bantam: 35 roll film 1916 1933 1 + 1 ⁄ 4 × 1 + 3 ⁄ 4 in 35 mm stock, unperforated 00 UniveX roll film 1933 1 + 1 ⁄ 2 × 1 + 1 ⁄ 8 in 6 made by Gevaert
Later color films, like Kodacolor II, have as many as 12 emulsion layers, with upwards of 20 different chemicals in each layer. Photographic film and film stock tend to be similar in composition and speed, but often not in other parameters such as frame size and length. Silver halide photographic paper is also similar to photographic film.
A similar, but different system had been used by a different company, using two three-strip cameras side by side for a British short called Royal River. A number of 3-D films were made by RKO using Technicolor Monopack. Technicolor expanded into India in the 1950s and Jhansi Ki Rani was the first Technicolor film made in India. In 1956 ...
By controlling the temperature and varying the duration in which the film is soaked in the development chemicals, and by skipping certain chemical processes (or partially skipping all of them), cinematographers can achieve very different looks from a single film stock in the laboratory.