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F-sharp minor is a minor scale based on F ... Piano Sonata in F-sharp minor, D 571 (incomplete) Robert Schumann. Piano Sonata No. 1, Op. 11; Alexander Scriabin.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.) The scale-degree chords of E-sharp minor are: Tonic – E-sharp minor
For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F ♯). Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat. Since the natural minor scale is ...
Fantasie in F-sharp minor, Op. 28, by Felix Mendelssohn, is a work composed for piano in three movements to be played without pause. This work was also known as Sonata écossaise (Scottish Sonata). First an Allegro in F-sharp minor in a loose sonata form, then an Allegro con moto in A major, and third a finale in F-sharp minor, in sonata form ...
F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.
A key signature with one sharp must show F-sharp, [3] which indicates G major or E minor. There can be exceptions to this, especially in 20th-century music, if a piece uses an unorthodox or synthetic scale and an invented key signature to reflect that.
F Sharp notes. F ♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G ♭.