Search results
Results From The WOW.Com Content Network
The track's low-frequency bass drum sounds were created by Roland's TR-808 drum machine referred to in the lyrics as the "808 kick-drum". The elongated decay was difficult to capture on the 24-inch tape of the era, and Terry Date , a famous Seattle recording engineer best known for his work with grunge acts, helped achieve the effect.
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.
This page was last edited on 14 April 2023, at 12:43 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest drum of the orchestra. The kick drum, a term for a bass drum associated with a drum kit, which is much smaller than the above-mentioned bass drum. It is struck with a ...
Alternative Press reviewer Jennifer Sica gave the album 2.5 out of 5 stars, praising the band's positive lyrics but finding it a formulaic metalcore release, stating that "while the album’s 'been there, done that' tone doesn’t vary from a pattern of aggressive vocals, kick drum-induced breakdowns and melodious choruses for scream- or sing ...
Sgubhu, a variant of gqom and a type of South African electronic dance music, shares some traits with gqom but sets itself apart with its beat structure. Unlike standard gqom, sgubhu is characterized by a much steadier kick drum pattern although having a kick pattern reminiscent of the three-step rhythm, often adhering to a consistent four-on-the-floor rhythm, which aligns more closely with ...
"The Humpty Dance" is a song by the American hip-hop group Digital Underground from their debut album Sex Packets. Released as the second single from the album in January 1990, it reached No. 11 on the pop chart, No. 7 on the R&B chart, and No. 1 on the Billboard Rap Singles chart.
The band told Destroy Exist that the song, "is a quarter note kick drum pushing 240 bpm, a drone-like chord progression, and declarative vocals cutting through the haze. If you could invert the color of the Blank Curtain, you might have something like a Chicago house track that sounds like a band in a room."