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Mongolian calligraphy is a form of calligraphy or artistic writing of the Mongolian language. [ 1 ] Although Mongolia uses the Cyrillic script which was adopted during the Communist era, Mongolian calligraphy is written in the traditional Mongolian script .
The Erdenesiin Khuree or Erdenesiin Khuree Mongolian Calligraphy and Art Center (Mongolian: Эрднэсийн Хүрээ Урлаг, уран бичлэгийн Төв) is an art gallery in Kharkhorin, Övörkhangai Province, Mongolia.
Various Mongolian writing systems have been devised for the Mongolian language over the centuries, and from a variety of scripts. The oldest and native script, called simply the Mongolian script , has been the predominant script during most of Mongolian history, and is still in active use today in the Inner Mongolia region of China and has de ...
Some authors (particularly historic ones like Isaac Taylor in his The Alphabet: an account of the origin and development of letters, 1883) don't distinguish between the Galik and standard Mongolian alphabets. To ensure that most text in the script displays correctly in your browser, the text sample below should resemble its image counterpart.
The traditional Mongolian script, [note 1] also known as the Hudum Mongol bichig, [note 2] was the first writing system created specifically for the Mongolian language, and was the most widespread until the introduction of Cyrillic in 1946.
Zanabazar's square script is a horizontal Mongolian square script (Mongolian: Хэвтээ Дөрвөлжин бичиг, romanized: Hevtee Dörvöljin bichig or Хэвтээ Дөрвөлжин Үсэг, Hevtee Dörvöljin Üseg), [1] an abugida developed by the monk and scholar Zanabazar based on the Tibetan alphabet to write Mongolian.
The Soyombo symbol serves both as a iconic symbol of Mongolia, Buryatia and Kalmykia, and as a national symbol of Mongolia, to be found on the Flag of Mongolia, the Emblem of Mongolia, and on many other official documents. In the Soyombo alphabet, the two variations of the Soyombo symbol are used to mark the start and end of a text.
The hem band on Giotto's Madonna and Child (1320–1330) is a mix of Arabic and Mongol script characteristic of Giotto. [1]Mongol elements can be seen in European works of art ranging from the 13th to the 15th century. [2]