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Robert Frost: A Lover's Quarrel With the World is a 1963 American documentary film directed by Shirley Clarke and starring Robert Frost. [3] Summary
[15] Kevin Thomas of the Los Angeles Times called the film "a sleek diversion that hasn't much more to it than a routine TV movie." [ 16 ] Gary Arnold of The Washington Post stated, "The real problem is that the filmmakers lay out this story blueprint so doggedly that the audience is invariably 25 pages of expository chitchat ahead of them.
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Miles to Go Before I Sleep is a quotation from the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. Miles to Go Before I Sleep may also refer to: Miles to Go Before I Sleep, a 1975 TV movie starring Martin Balsam "Miles to Go (Before I Sleep)", a 1998 single by Céline Dion
Mandy Moore as Madeline Frost Santaros, Boxer Santaros' wife and daughter of Senator Bobby Frost. Justin Timberlake as Private Pilot Abilene, an Iraq War veteran. [15] He narrates the film and also mimes a musical number. [13] Miranda Richardson as Nana Mae Frost, the ambitious antagonist of the film, Boxer's mother-in-law and the head of US ...
Back in Action. In her first movie role in years, Cameron Diaz returns to the screen in an action comedy film opposite Jamie Foxx, where they play a couple of former CIA operatives who dive back ...
"Birches" is a poem by American poet Robert Frost. First published in the August 1915 issue of The Atlantic Monthly together with "The Road Not Taken" and "The Sound of Trees" as "A Group of Poems". It was included in Frost's third collection of poetry Mountain Interval, which was published in 1916.
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]