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Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
Vanitas art is an allegorical art representing a higher ideal or containing hidden meanings. [5] Vanitas are very formulaic and they use literary and traditional symbols to convey mortality. Vanitas often have a message that is rooted in religion or the Christian Bible. [6] In the 17th century, the vanitas genre was popular among Dutch painters.
The painting is a sacra conversazione, where holy figures seem to be in conversation and draw the audience into their discussion. [5] Rather than sitting under a canopy, of the Umbrian or Florentine style, [2] the Virgin is seated on clouds, embracing Jesus, while surrounded by angels.
) is an 1897–98 painting by French artist Paul Gauguin. The painting was created in Tahiti and is in the Museum of Fine Arts in Boston, Massachusetts. Viewed as a masterpiece by Gauguin, the painting is considered "a philosophical work comparable to the themes of the Gospels". [1] The painting is notable for its enigmatic subject and atmosphere.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
The last part of the 20th and the first part of the 21st century have seen a focused effort by artists who claim faith in Christ to re-establish art with themes that revolve around faith, Christ, God, the Church, the Bible and other classic Christian themes as worthy of respect by the secular art world. Art could then be used to cultivate the ...
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Kanzan and Jittoku by Sesshū Tōyō.Japan, Muromachi period, 15th century Hanshan and Shide (Japanese: Kanzan and Jittoku) are popular figures in Zen painting who have been depicted many times as a pair, and the duo is a motif in Zen painting and representative of deeper meanings in Zen Buddhism as a whole.