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The east metopes are organized symmetrically around a central axis, the same as for the eastern frieze and the as with the east pediment; moreover, the identifications are sometimes made by comparison with the divinities present in parallel on these two other decorative elements of the Parthenon. The four central metopes (east VI, VII, VIII and ...
Metope from the Parthenon marbles depicting part of the battle between the Centaurs and the Lapiths; 442–438 BC; marble; height: 1.06 m; British Museum (London) A metope ( / ˈ m ɛ t ə p i / ; Ancient Greek : μετόπη ) is a rectangular architectural element of the Doric order , filling the space between triglyphs in a frieze [ 1 ] [ 2 ...
Download as PDF; Printable version; ... Metopes of the Parthenon, notably on the Parthenon This page was last edited on 12 ...
The Doric order of the Parthenon. Triglyphs marked "a", metopes "b", guttae "c" and mutules under the soffit "d" The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the ...
The frieze of the Parthenon's entablature contained 92 metopes, 14 each on the east and west sides, 32 each on the north and south sides. They were carved in high relief, a practice employed until then only in treasuries (buildings used to keep votive gifts to the gods). [ 80 ]
Mikon, a Greek man (potentially a shepherd) from the 6 th century BC, may have left us the ultimate clue to an unknown temple that once filled the space now occupied by the great Parthenon.And ...
The pediments of the Parthenon included many statues. The one to the west had a little more than the one to the east. [8] In the description of the Acropolis of Athens by Pausanias, a sentence informs about the chosen themes: the quarrel between Athena and Poseidon for Attica in the west and the birth of Athena in the east.
Some of its parts also shared the proportions with the Parthenon. For instance, the general ratio used was 3:7, very similar to the ratio of 4:9 used for the Parthenon. [29] Pedestal of the statue of Hygieia. The building features no decorative or architectural sculpture; all metopes and pediments were left empty and there were no akroteria. [30]