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  2. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...

  4. If I Ever Lose My Faith in You - Wikipedia

    en.wikipedia.org/wiki/If_I_Ever_Lose_My_Faith_in_You

    The song, in the key of A major, is played in swing time. According to Sting, the song was written on the piano, and contains a flattened fifth in the song's intro, [a] which he says was banned in the churches due to its dissonant sound: It starts off with a flattened fifth. A flat five is an interesting chord because it was banned by the church.

  5. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.

  7. Dream chord - Wikipedia

    en.wikipedia.org/wiki/Dream_chord

    Dream chord on G Play ⓘ.. The dream chord is a chord that is used prominently in the works of La Monte Young.It is made up of the pitches G-C-C♯-D. [2] [3] The chord is prominently featured in Young's compositions for Brass (1957), Trio for Strings (1958), and The Four Dreams of China (1962).

  8. Nica's Dream - Wikipedia

    en.wikipedia.org/wiki/Nica's_Dream

    Nica's Dream. "Nica's Dream" is a jazz standard [1] composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. [2] The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent ...

  9. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...