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The seven rays is a concept that has appeared in several religions and esoteric philosophies in both Western culture and in India since at least the sixth century BCE. [1]In occidental culture, it can be seen in early Western mystery traditions, such as Gnosticism and Mithraism, and in texts and iconic art of the Catholic Church as early as the Byzantine Empire.
The presentation of Moses with rays of light remained common until the 19th century, for example appearing in the Bible illustrations of Gustave Doré (1866). The Bible says that Moses' appearance had changed when he returned from his lengthy encounter with God on Mount Sinai, a change represented in art by the "horns" or rays. Logically, in ...
Augustine: "What Light it is to which John bears witness, he shows himself, saying, That was the true Light." [3]Chrysostom: "Or thus; Having said above that John had come, and was sent, to bear witness of the Light, lest any from the recent coming of the witness, should infer the same of Him who is witnessed to, the Evangelist takes us back to that existence which is beyond all beginning ...
Effect of light from the rose window in Bari Cathedral, recurring in religious architecture to metaphorically allude to the spiritual light. [1]In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor.
Moses is portrayed with two groups of rays of light projecting from his head, which represent Exodus 34:29–35 which tells that after meeting with God the skin of Moses' face became radiant. The twin rays of light come from a longstanding tradition that Moses instead grew horns. General view of the fountain
The early Church Fathers expended much rhetorical energy on conceptions of God as a source of light; among other things this was because "in the controversies in the 4th century over the consubstantiality of the Father and the Son, the relation of the ray to the source was the most cogent example of emanation and of distinct forms with a common ...
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
And as when the air receives the sun’s rays, it is not said to shine of itself, but the sun’s radiance to be apparent in it; so the reasonable part of our nature, while possessing the presence of the Word of God, does not of itself understand God, and intellectual things, but by means of the divine light implanted in it.