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Dancehall is a genre of Jamaican popular music that originated in the late 1970s. [4] [5] Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.
"Murder She Wrote" is a song by Jamaican reggae duo Chaka Demus & Pliers, from their 1993 album Tease Me. It was first released as a single in 1992 and again in late 1993 by Mango and Taxi Records, reaching number 27 on the UK Singles Chart in early 1994, [3] and number 57 on the US Billboard Hot 100, spending 17 weeks there.
Developing from the sounds of reggae, dancehall pop is characteristically different in its fusion with western pop music and digital music production. [2] Dancehall pop is also different from dancehall in that most songs use lesser Jamaican Patois in lyrics––allowing it to be globally understood and consumed. It also incorporates the key ...
T.O.K. were described as "the world's greatest dancehall-reggae boy band" by The New York Times in 2004. [2] ... and was among Blender's "Top Songs of 2004".
Reggae (/ ˈ r ɛ ɡ eɪ /) is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. [1] A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience.
Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing.
Reggae fusion is a fusion genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip-hop/rap, R&B, jazz, funk, soul, disco, electronic, and Latin music, amongst others.
The song has been labeled as a "well-known reggae anthem" by BBC and a "classic" by The Observer. [3] [4] In 2016, Billboard called the song "a strong contender for the title of most sampled reggae song of all time." [1] When asked her opinion of the many songs that have used her voice over the years, she responded: "I don’t know if I hear ...