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Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
This article has an unclear citation style. The references used may be made clearer with a different or consistent style of citation and footnoting. (July 2020) (Learn how and when to remove this message) Tyagaraja, known for his extensive contributions to Carnatic music Music of India Genres Traditional Classical Carnatic Odissi Hindustani Folk Borgeet Baul Bhajan Kirtana Shyama Sangeet ...
Pages in category "Indian musical instruments" The following 146 pages are in this category, out of 146 total. This list may not reflect recent changes. *
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar , it is among the most popular and prominent instruments. [ 1 ] It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant ...
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
Crosby's band, the Byrds, had similarly incorporated elements of Indian music, [31] using "only Western instrumentation", on their songs "Eight Miles High" and "Why" in 1966. [43] Psychedelic music bands often used new recording techniques and effects and drew on non-Western sources such as the ragas and drones of Indian music.
In South Indian culture, the nadasvaram is considered to be very auspicious, and it is a key musical instrument played in almost all Hindu weddings and temples of the South Indian tradition. [4] It is part of the family of instruments known as mangala vadyam [5] (lit. mangala "auspicious", vadya "instrument").
As a folk and bhajan instrument, it has been used in the Indian subcontinent for many centuries. The Kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming.