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Franz Liszt composed his Piano Concerto No. 1 in E ♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.
Piano Concerto No.1: pf orch E ♭ major 1835–56 Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H ...
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
For example, Liszt's second and third concertos are played without breaks between the different sections, Brahms's Piano Concerto No. 2 and Liszt's Piano Concerto No. 1 have 4 movements and Tchaikovsky's Piano Concerto No. 3 in E-flat major has only one (Allegro brillante).
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Étude No. 3 in A ♭ minor, marked Allegro moderato, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor, and containing the first theme of the final movement of Paganini's Violin Concerto No. 1 in E ♭ major. Étude No. 4 in E major, marked Andante quasi allegretto, which is after Caprice No. 1 in E major. Étude ...