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A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [47] The last etching but for two sketches, and one of the "official" etched self-portraits. [34]
Goya began giving her drawing lessons, together with her first writing lessons, when she was only seven. She studied with him until age fifteen and then with architect Tiburcio Pérez from 1823 to 1824. [1] Later, when he was living in self-exile in Bordeaux, she was the student of a local wallpaper designer. [2]
Self Portrait, c. 1655. Oil on panel, 48.9 x 40.2 cm. Kunsthistorisches Museum. Self Portrait (or The Large Self-Portrait) [1] is an oil-on-canvas painting by the Dutch artist Rembrandt. Painted in 1652, it is one of more than 40 painted self-portraits by Rembrandt, and was the first he had painted since 1645. [2]
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...
Self-Portrait with Two Circles is an oil-on-canvas painting by the Dutch artist Rembrandt, painted c. 1665 –1669, [1] one of over 40 painted self-portraits by Rembrandt. [2] In the portrait, Rembrandt holds his palette, brushes, and maulstick. The painting is notable for its monumentality and the enigmatic background consisting of a shallow ...
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Self-portrait at an early age shows the artist in a relaxed state. With that, the portrait is clearly not a tronie, focused on the study of faces. Rembrandt, early in artistic development, concentrates mainly on the effect of light and how it falls on various materials, including the skin and the wall; practising the technique of chiaroscuro.