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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2
Bossa nova is a hybrid form based on the samba rhythm, but influenced by European and American music from Debussy to US jazz. Bossa nova originated in the 1950s, largely from the efforts of Brazilians Antonio Carlos Jobim and João Gilberto. Its most famous song is arguably "The Girl from Ipanema" sung by Gilberto and his wife, Astrud Gilberto.
Phil Ramone. " The Look of Love " is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. [1][2] The song was featured in an extended slow-motion interlude to the 1967 spoof James Bond film Casino Royale.
Newton Mendonça (Portuguese) Jon Hendricks (English) " Samba de uma Nota Só ", known in English as " One Note Samba ", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his ...
Play ⓘ. " Maiden Voyage " is a jazz composition by Herbie Hancock from his 1965 album Maiden Voyage. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – together with saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard.
[3]: xxii It has a bossa nova feel and features a bass ostinato. [3]: xxii "It contains only four chords: Fm 9 - E ♭ 9 - D ♭ 9 - C 9. The piece uses even eighth notes throughout, not swing eighths." [4] In his biography, Silver describes composing the song while attempting to use the bossa nova rhythm he had observed in Brazil. [5]
Downtown (Petula Clark song) " Downtown " is a song written and produced by English composer Tony Hatch. Its lyrics speak of going to spend time in an urban downtown as a means of escape from everyday life. The 1964 version recorded by British singer Petula Clark became an international hit, reaching number one on the Billboard Hot 100 and ...