Search results
Results From The WOW.Com Content Network
A chromogenic print, also known as a C-print or C-type print, [1] a silver halide print, [2] or a dye coupler print, [3] is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. [4]
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Maurice R. Bebb (1891–1986) (or M. R. Bebb as he signed his work) was a notable etcher and printmaker of the American Midwest, whose best-known subjects were birds native to Oklahoma and Minnesota, where he spent his time.
However, from 1880 to 1950 a photo-mechanical ("line-block") variant was the dominant form of commercial printing for images. A similar process to etching, but printed as a relief print, so it is the "white" background areas which are exposed to the acid, and the areas to print "black" which are covered with ground. Blake's exact technique ...
In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called engraving; or through the corrosive action of acid – in which case the process is known as etching. [6] [7]
Pretty-printing (or prettyprinting) is the application of any of various stylistic formatting conventions to text files, such as source code, markup, and similar kinds of content. These formatting conventions may entail adhering to an indentation style , using different color and typeface to highlight syntactic elements of source code, or ...
Detail of an etching of 1841 with surface tone on the structure at right, and its shadow (the whole print). In printmaking, surface tone, or surface-tone, [1] is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in ...
Goya, No. 32 of Los Caprichos (1799, Por que fue sensible).This is a fairly rare example of a print entirely in aquatint. [5]In intaglio printmaking techniques such as engraving and etching, the artist makes marks into the surface of the plate (in the case of aquatint, a copper or zinc plate) that are capable of holding ink.