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Ethiopian jazz, also referred to as Ethio-jazz, is a blend of traditional Ethiopian music with jazz, combining the pentatonic scale-based melodies of Amharic music with the 12-tone scale and instrumentation of western music. Over time the genre has grown to include elements from other genres such as afrofunk, soul, Armenian jazz, and Latin ...
Mulatu recorded Mulatu of Ethiopia (1972) in New York City, but most of his music was released by Amha Eshete's label Amha Records in Addis Ababa, Ethiopia, including several singles, his album Yekatit Ethio Jazz (1974), and six out of the ten tracks on the compilation album Ethiopian Modern Instrumentals Hits.
Hailu Mergia & His Classical Instrument (Amharic: ኃይሉ መርጊያና የመሣረያ ቅንብሮቹ), also known as Shemonmuanaye, is a 1985 studio album by Ethiopian jazz musician Hailu Mergia, formerly of the Walias Band.
Ethiopian jazz is a fusion of traditional Ethiopian rhythms and harmonies with the techniques and instruments of Western jazz. One of the key figures in the development of Ethiopian Jazz was Mulatu Astatke. As a teenager, Mulatu was able to leave Addis Ababa in 1959 to study music at the Trinity College of Music in London. [4]
Ethiopian Jazz or Ethio-Jazz genre was developed in the 1960's by infusing Tizita Qañat with elements of Ethiopian Orthodox Christian music, and the use of Western instruments. The pioneer of this genre is Mulatu Astatke. [9]
Hailu's mastering of the accordion, as well as the keyboard and his talent for "re-purposing folk songs into funkier modern melodies," defined his contribution to popular music in Ethiopia. [3] In the 1970s, Hailu Mergia was the keyboardist in the Walias Band , a jazz and funk band with a hard polyrhythmic funk sound influenced by western ...
Alemayehu Eshete Andarge (Amharic: ዓለማየሁ እሸቴ አንዳርጌ; June 1941 – 2 September 2021) was an Ethiopian singer, widely known as the "Abyssinian Elvis" for his dynamic performances and his fusion of traditional Ethiopian music with Western rock and roll influences. [2]
With Ethiopia's capital city being a nexus of culture, music, and dance from other nations, Melaku incorporated these into his repertoire as well, gradually assembling a 13-piece ensemble called the Ethiocolor Cultural Band. [13] Combining tribal dances and folk instruments with jazz, rock, theater and elaborate costumes. [3]