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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
2024 Issue date Song Artist(s) Ref. January 6 "South Bay" Michael Lington [1]January 13 [2]January 20 [3]January 27 [4]February 3 "My Heart to Yours" Ellis Hamilton
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Julian Price Lage [2] (/ l ɑː ʒ / LAHZH; born December 25, 1987) is an American guitarist and composer.. A child prodigy, he excelled in jazz at a very young age, winning the praise of greats such as Jim Hall.
The song's music video was mostly animated, with Jarreau himself starring in a live-action role. [1] "Mornin'" again reached the music charts in 2006 when Jarreau reworked the song with George Benson on their collaborative album Givin' It Up. "Mornin'" reached #1 on the US Jazz charts.
Breakfast on the Morning Tram is an album by American jazz singer Stacey Kent that was nominated for the Grammy Award for Best Jazz Vocal Album in 2009. It was her first album for Blue Note Records. [2] The album features four songs with lyrics written by novelist Kazuo Ishiguro. [3] [4]
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.