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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
High vantage points generally decrease the amount of sky available in the painting by forcing the horizon line upwards. Additionally, the elevated vantage point minimizes the background-to-foreground tonal contrast and color saturation, while also making the viewer feel that the scene is tilted towards them. [ 12 ]
El Velorio (Spanish for "The Wake") is an 1893 8-by-13-foot painting by Puerto Rican Impressionist painter Francisco Oller depicting a baquiné, a type of traditional wake. This painting is considered one of the most important pieces in the art history of Puerto Rico and is therefore considered a national treasure.
Frank W. Benson, Eleanor Holding a Shell, North Haven, Maine, 1902, private collection. American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. [1]
Pierre-Auguste Renoir (/ r ɛ n ˈ w ɑːr /; [1] French: [pjɛʁ oɡyst ʁənwaʁ]; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style.
Theodore Robinson (June 3, 1852 – April 2, 1896) was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet.
He is remembered as the journalist and art critic for the French satirical newspaper Le Charivari, who coined the term "impressionists" to satirise the artists now known by the word. Leroy's review was printed in Le Charivari on 25 April 1874 with the title The Exhibition of the Impressionists .