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The angel wears a combination of cool green and warm pinks, colors and tones that are observed throughout the painting: in the mosaic above, the nearby landscape, and the surrounding architecture. [11] [20] Each figure in the painting serves its own purpose but the angel is the only figure clearly looking out at the viewer, adding a tone of ...
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When hung in Venice in 2011, the order of the panels was Fall of the Damned into Hell, Hell, space, Terrestrial Paradise, and Ascent of the Blessed.The Terrestrial Paradise was placed on the left because it resembles other Eden panels by Bosch, especially with its landscape, fountain, and following biblical convention. [3]
The print shows Venice and the surrounding islands in the Venetian lagoon, including Burano, Giudecca, Mazzorbo, Murano, and Torcello. The Alps to the north line the horizon along the top edge. The names of some locations and buildings are printed. The print shows the location of Venetian churches and other buildings, including 103 bell towers. [2]
The Church of San Zaccaria is a 15th-century former monastic church in central Venice, Italy.It is a large edifice, located in the Campo San Zaccaria, just off the waterfront to the southeast of Piazza San Marco and St Mark's Basilica.
Sloane MS 3188, (1582) The Sigillum Dei (seal of God, "Seal of Truth" or signum dei vivi, symbol of the Living God, called by John Dee the Sigillum Dei Aemeth) is a magical diagram, composed of two circles, a pentagram, two heptagons, and one heptagram, and is labeled with the names of God and its angels.
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The Legend of Saint Ursula (Italian: Storie di sant'Orsola) is a series of nine large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, commissioned by the Loredan family and originally created for the Scuola di Sant'Orsola (Ursula) in Venice, which was under their patronage.