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One of the earliest surviving Chinese silk paintings is a 2-metre long T-shaped painting, dated from around 165 BCE, from the Mawangdui. [1] [2] However, painting on silk quickly gave way to painting on other supports. Silk painting employs gutta as a resist, allowing fine patterns to be achieved.
Court Ladies Preparing Newly Woven Silk is a silk painting attributed to Emperor Huizong of the Song dynasty. It is the only extant copy of a lost original Court Ladies Preparing Newly Woven Silk by Chinese artist Zhang Xuan. [1] The painting depicts an annual imperial ceremony of silk production, held in spring.
Much of what we know of early Chinese figure painting comes from burial sites, where paintings were preserved on silk banners, lacquered objects, and tomb walls. Many early tomb paintings were meant to protect the dead or help their souls to get to paradise.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345 – ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin dynasty (266–420) court painting by Gu.
Old Trees, Level Distance (Traditional Chinese: 樹色平遠圖; Pinyin: Shù sè píng yuǎn tú) is a Song dynasty handscroll on silk painting by Guo Xi.Completed in 1080, it is also a considered a prominent example of the "Northern Song" style of Chinese landscapes to which this piece has often been studied alongside that of Early Spring, current housed in the National Palace Museum.
The painting is in a rectangular shape, 37.5 cm in height and 28 cm in width. The silk cloth is dark brown in colour with a flat-line pattern. It is both one of the oldest Chinese paintings and one of the oldest silk paintings in existence.
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