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Charles Haslewood Shannon RA [2] (26 April 1863 – 18 March 1937) was an English artist best known for his portraits. [3] His works featured in several major European collections, including London's National Portrait Gallery .
Charles Shannon may refer to: Charles Shannon West (1829–1885), Texas politician; Charles Haslewood Shannon (1865–1937), English artist; Charles Shannon (artist) (1914–1996), American artist; Charles Shannon (ice hockey) (1916–1974), American ice hockey player; C. Shannon Mallory (1936–2018), Anglican bishop; Charles E. Shannon (1943 ...
The German art historian Georg Satzinger writes: “[…] the bronze is a genuine new interpretation of the highest artistic quality in terms of individual dimensions (varying measurements throughout the figure) as well as in details and the introduction of a new element, namely the juxtaposition of different surfaces: some unfinished surfaces, and more worked, finished surfaces."
The Bath of Venus, 1751 – National Gallery of Art, Washington. With Boucher, the sumptuous Baroque was transformed into the gallant Rococo . The best representative and principal author the era's taste, Boucher used his imagination and virtuosity in exploring themes such as pastorals, bucolic landscapes, and mythological scenes dedicated to ...
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Charles Eugene Shannon (June 22, 1914 – April 5, 1996) was an American artist and professor. [ 1 ] [ 2 ] [ 3 ] Shannon is recognized for his discovery, promotion and conservation of the works of the artist Bill Traylor , who he met in 1939 in Montgomery , Alabama .
The Bath, by electronica duo Lemon Jelly; The Child's Bath, a painting by Mary Cassatt (also known as The Bath) The Bath (short story), a short story by Raymond Carver "The Bath" , a 1980 TV episode; Le Déjeuner sur l’herbe, originally titled Le Bain ("The Bath"), a painting by Édouard Manet
The accessories are beautifully rendered—the marble columns, the standard rose-bush in full flower, the pair of white doves, and the deep blue sea and crimson-streaked sky beyond. This picture may be regarded as the union of two ideas—ideal Greek without antique conventions and the energies of modern impulse and passion.