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"Over My Head" is a song recorded by British-American rock band Fleetwood Mac for their self-titled 1975 album. The song was written by keyboardist and vocalist Christine McVie. "Over My Head" was the band's first single to reach the Billboard Hot 100 since "Oh Well", ending a six-year dry spell on the American charts.
"Only Over You" is a song by the British-American rock band Fleetwood Mac from their 1982 album Mirage. It was written by Christine McVie for her boyfriend at the time, the Beach Boys' drummer Dennis Wilson. [1] The record sleeve states, "With thanks to Dennis Wilson for inspiration."
"Over My Head", a song by King's X from Gretchen Goes to Nebraska "Over My Head", a song by Lit from the soundtrack of the film Titan A.E.
"Over My Head" is composed of a synth-heavy chorus, an "addicting" melody, and a pronounced drum beat. [1] Critics noted the song's sound is more "evolved" and mature than previous releases. [2] The song is written in the key of F♯ minor, and follows a chord progression of D-Bm-F♯m (VI-iv-i). The tempo of the song is 105 beats per minute.
Jam Sessions makes use of the DS touch screen to simulate strumming on a real guitar, while the D-pad is used for selecting chords.The game allows players to play through a list of songs in order to unlock other features such as upgraded strings and new backgrounds, while Free Play allows the player to simply strum away, playing out songs or practicing without being judged.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
"Up Above My Head" is a gospel song of traditional origin, first recorded in 1941 (as "Above My Head I Hear Music In The Air") by The Southern Sons, a vocal group formed by William Langford of the Golden Gate Quartet. [1] In the version that is now the best-known, it was recorded in 1947 by Sister Rosetta Tharpe and Marie Knight as a duo.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.