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Molina made his first composition in 1912 titled Matinal, which is preserved in an unpublished volume called Miniaturas, Vol. 1. [1]: 147 He was appointed to teach harmony, composition, music history, and violoncello at the University of the Philippines Conservatory of Music, pursuing a career in music education until being appointed dean of the Centro Escolar Conservatory of Music.
Woman Showing Her Portrait is a c.1790 genre painting by the French artist Louis-Léopold Boilly. [1] Considerable debate has taken place around the exact meaning of the work. [ 2 ] A young woman displays her portrait for inspection by a group, traditionally believed to be family members although there is no evidence to support that.
unfinished; Exists as Violin and Piano; one movement completed and arranged by Antonio Molina for violin and orchestra [13] Exact date of composition unknown, but stylistic analysis of the work has estimated the composition date to be roughly 1920. Ms. copy undated: Rondo and Double Fugue Orchestral unfinished. [11] undated: Un cuento de Lola ...
Antonio Molina (singer) (1928–1992), Spanish flamenco singer and actor; Antonio Molina (cyclist) (born 1991), Spanish cyclist; José Antonio Molina Rosito (born 1926), known as Antonio Molina, Honduran botanist and professor; Antonio Molina (composer) (1894–1980), Filipino composer, conductor and music administrator; Antonio Vilaplana ...
The dispersive effect of this attention to detail is fully compensated by the tones of colour — used here in a fairly limited range — which unify the composition as a whole. Nicoletta Baldini describes the hands in this portrait as "vibratile," distinguishing it from those painted by Michelangelo or Da Vinci. [ 2 ]
A scientific analysis of Pablo Picasso’s ‘The Crouching Woman’ revealed that the artist made a compositional change during the painting’s creation.
Woman with a Mirror demonstrates a harmony of color and composition typical of the young Titian, who exalted the beauty, even sensuality, of his subjects. Women of the era wore loose hair only in the intimacy of the home, which confers to the painting an erotic character that prevails over the other elements of the vanitas theme (the bottle of ...
Both paintings are oil on canvas, with one version on display at the National Gallery of Art in Washington, D.C. and the other on view at the Musée Fabre in Montpellier, France. The dimensions of both paintings are 60.3 cm (23.7 in) × 75.2 cm (29.6 in). Black Woman with Peonies by Frédéric Bazille (1870) located at the Musée Fabre, Montpellier