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Buck performing "Losing My Religion" on mandolin "Losing My Religion" was released on February 19, 1991, in the United States as the lead single from R.E.M.'s album Out of Time. [14] Their record label, Warner Bros., was wary of the choice of lead single. Steven Baker, then the vice president of product management., said there were "long, drawn ...
Peter Buck (United States), R.E.M., mandolin part of Losing My Religion; Dash Crofts, [152] Seals and Crofts; Rory Gallagher (Ireland), Going to My Hometown; David Gilmour, [citation needed] Pink Floyd "Maestro" Alex Gregory (United Kingdom) (Heavy Metal) [153] David Grisman; mandolin part on Grateful Dead's Friend of the Devil [154] [155 ...
This version was fully disclosed as a public specification, with the goal of making the SoundFont format an industry standard. All SoundFont 1.0 compatible devices were updated to support the SoundFont 2.0 format shortly after it was released to the public, and consequently the 1.0 version became obsolete.
Losing My Religion" is a song by R.E.M. Losing My Religion may also refer to: Literature ... Music. Losing My Religion, a 2015 album by Kirk Franklin ...
Losing My Religion is the eleventh studio album from Kirk Franklin. RCA Inspiration a division of RCA Records alongside Fo Yo Soul Recordings released the album on November 13, 2015. [ 1 ] It won the Grammy Award for Best Gospel Album in 2017.
MuseScore Studio (branded as MuseScore before 2024) [8] is a free and open-source music notation program for Windows, macOS, and Linux under the Muse Group, which owns the associated online score-sharing platform MuseScore.com and a freemium mobile score viewer and playback app.
The article states, "Losing My Religion is probably the largest hit in rock history to have a mandolin as the main instrument," however an obvious counter-example is Rod Stewart's 1971 monster hit Maggie May, which went to #1 in both the US and the UK.
Duffey learned to play the mandolin, dobro, and guitar, in addition to his tenor singing voice. He founded two of the most influential groups in bluegrass, The Country Gentlemen and The Seldom Scene. [3] [4] [5] His tastes and sources were eclectic, often raiding folk song books and Protestant hymnals for material.